Schütz, Easter Works, La Petite Bande, S. Obrecht, Masses, Beauty Farm (April 5, 2019) Davies, Fretwork (April 19, 2019)ījörk's Vespertine, J. Stanford, Mass 'Via Victrix', BBC National Orchestra of Wales, A. Steger, La Cetra Barockorchester Basel (May 17, 2019)Īn English Coronation, 1902-1953, Gabrieli Consort, P. Locke, Orchestral Works, Vox Orchester, L. Liszt, Années de pèlerinage, 2ème Année ('Italie'), F. Parfenov (July 19, 2019)īach Improvisations, B. Muñoz-Toledo (August 9, 2019)īach, Goldberg Variations / Parfenov, New Goldberg Variations, A. Vellard (August 16, 2019)īach et al., Concertos, Les Accents, T. Messes de Barcelone et d'Apt, Ensemble Gilles Binchois, D.

Christie (August 30, 2019)īach, Gamba Sonatas, A. Monteverdi, L'incoronazione di Poppea, Les Arts Florissants, W. The font used in the title is “Arnold Boecklin Regular”īrahms, Violin Sonatas, A. The font used in the title is “ITC Stoclet Light” The font used in the title is “Samba Expert” Wherever the title-graphic is properly displayed, the essays have been restored. The posts are irregularly but continuously updated. Each title-graphic features 'Mahler' written in a font roughly of Mahler's time. This brings the entire survey (in the process of being migrated to ionarts) together in one place and condenses the list to my top-two choices of each symphony and my top-choice SACD recording. For Classical WETA's Mahler Month in 2009, I helped put together three complete Mahler cycles to be aired and accompanied it with a series of articles on Mahler's Symphonies (and favorite recordings) on the WETA website.

P22 symphony font